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Johnnie Liliedahl Talks about Silver Brushes"The Silver Grand Prix brushes are workhorses,
and my favorite brushes for most of the work in my paintings. I particularly
like the two styles of white bristle filberts in the Grand Prix line,
and use them for different purposes. The Series 1003 filberts are perfect
for pushing the paint around vigorously, and they hold up under a lot
of scrubbing and mashing of the paint on the canvas. The Series 1027
Xtra Long Filberts are my favorites for initial drawings and light,
delicate strokes, as they provide the length necessary to make the
airy, dry brush strokes seen on the finished surface of my paintings.
When I have to travel light, with just a few paints and brushes, I
take only these two series with me in three sizes, and I can paint
virtually anything with them.
In
my School of Oil Painting, I teach a variety of painting techniques
from Impressionist to Old Master, and the brushes required for each
style are different. The sturdy, bristle brushes are necessary for
plein aire, loose painterly techniques, while the soft sables are required
for the thin, glazing methods of the Old Master style.
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